
EXT. LOS ANGELES CUT SEQUENCE
Assorted PIECES OF CGI SWAT, are running towards the
AKROPOLIS TOWER.
SWAT #1
It’s such a lovely day today. Too
bad we’re all going to die
gruesomely.
SWAT #2
Are we going to listen to some
horrible Japanese Pop music or
something?
SWAT #1
No. I think we’re going to get our
faces eaten by rejected Resident
Evil models, and whatever else the
Graphic Artists decide to throw at
us.
They enter the Tower and DIE gruesomely. HELICOPTERS crash
onto the street resulting in FIERY CGI EXPLOSIONS which
ignite nearby CARS and cause more EXPLOSIONS. More BODIES
and CARS continue to EXPLODE until the CONSOLE PROCESSOR
OVERLOADS.
DIRECTOR KENICHI IWAO
Burn, baby, burn!
INT. AKROPOLIS TOWER
AYA BREA, looking mysteriously younger, appears and uses her
intense concentration of mitochondria elements to defeat
DISGUSTING PIECES of mitochondria-controlled CGI, or blow
them up in FIERY CGI EXPLOSIONS if time permits.
AYA BREA
What? Don’t tell me we’re still
fiddling around with this heinous
quasi-scientific bullshit after
three years?
GRAPHIC ARTISTS
Hey, Iwao-sama... no one told us
this sequel was going to be set
three years later. A 27-year old
woman? Unheard of! We can’t jack
off to our conceptual drawings
now. She is so... mature and old!
DIRECTOR KENICHI IWAO
Kuso! We certainly can not allow
that in our teen-obsessive
corporation. I will now tack
on half-assed quasi-scientific
explanation to justify the
absurdity about to happen
next. I’ll also arrogantly call
this game a cinematic RPG, too,
even though there are no
voice-actors in it!
HALF-ASSED QUASI-SCIENTIFIC EXPLANATION occurs.
AYA BREA
Wow! I’m suddenly younger, sexier,
and more blonde. If this isn’t a
great example of our many annoying
marketing ploys used to sucker
gamers into buying our mediocre
sequels, I don’t know what is. I
hope the gamers don’t notice.
RABID SQUARE FANATICS
Miniskirt! Skin! Skin! Miniskirt!
AYA BREA
Excellent.
A CGI monster creeps up to AYA while she poses
seductively. RUPERT BRODERICK appears and saves AYA from
the monster.
RUPERT BRODERICK
Hey, you really should be careful
out here. You only have 100 Hit
Points.
AYA BREA
Thanks, Rupert. Somehow my
suddenly younger self has lost all
of her combat instincts from the
previous game!
RUPERT BRODERICK
Wait a minute, shouldn’t I explode
in a ball of fire right about
now? I thought normal people like
myself couldn’t come near these
things?
AYA BREA
That’s a good question.
More HALF-ASSED QUASI-SCIENTIFIC EXPLANATION occurs.
AYA BREA (cont’d)
I guess. On the bright side at
least I have backup now, right?
Instead of having me run around all
by lonesome fighting these things.
RUPERT BRODERICK
Nope.
AYA BREA
Then what the hell was the point of
explaining all of that? Aren’t you
the least bit worried about my
well-being?
RUPERT BRODERICK
Actually, I’m more worried about
people confusing this game with
Resident Evil. Now go wander by
yourself while I’ll go disappear
from the story almost entirely.
EXT. ROOFTOPS
AYA BREA meets NO. 9, the LEVEL BOSS and they go into BATTLE
MODE. Director Kenichi Iwao re-arranges the wiring on the
PLAYER CONTROLS and shifts the CAMERA into neck-craning
angles. This lasts throughout the game.
AYA BREA
You seem to be quite inept and
slow-witted in this fight, boss I
can see but the player can not.
Clearly my mitochondria and the
ability to shift up and down a
screen are far superior to yours.
NO. 9
(somewhere off-screen)
Yes, very impressive indeed, but I
can not die here. I haven’t showed
up randomly enough to emulate true
horror and suspense. We will meet
again.
NO. 9 leaves in a FIERY CGI EXPLOSION.
INT. MITOCHONDRION INVESTIGATION & SUPPRESSION TEAM
HEADQUARTERS
AYA and RUPERT enter, walking past numerous PRODUCT
PLACEMENTS and FEDERAL AGENTS behaving like juveniles to
each other. They explain their mission results to the
M.I.S.T. boss, ERIC "HAL" BALDWIN.
AYA BREA
(holding a Coke can)
I met some walking CGI with a mask
making vague threats about
something or another. Guess those
NMCs are back at it again, I don’t
know, I’m not paying attention to
this damn game.
RUPERT BRODERICK
(also holding a Coke can)
Yeah, one of them was as big as an
elephant. What the hell were they
eating there?
ERIC "HAL" BALDWIN
(also holding a Coke can)
As big as an elephant? Here in New
York? That’s unheard of.
AYA BREA
Did you forget about Parasite Eve
1? What do you call that
Tyrannosaur I killed at the
museum?
ERIC "HAL" BALDWIN
Sorry! Can’t hear you! I’m too
busy rolling the sweet tasting
nectar of the Gods in my
mouth. Coca Cola. It’s tasty and
refreshing!
RUPERT BRODERICK
Jesus Christ, man, can’t you do
anything to move this plot along?
ERIC looks at RUPERT in bewilderment.
ERIC "HAL" BALDWIN
What plot? This game has one?
AYA BREA
Yeah, some info files would be
nice.
ERIC "HAL" BALDWIN
Oh, okay. Here.
(hands Aya the Resident Evil
and Fear Effect game CDs)
Here are the information files for
your next mission. We are
currently somewhere between
character introductions and killing
zombies I think.
AYA BREA inserts Resident Evil GAME CD into the office’s
SONY PLAYSTATION. She picks up the CONTROL PAD.
AYA BREA
Hmmm, select character. Got
it. Okay, according to this, I
have to go pay a visit to some
locales set in the middle of
nowhere.
RUPERT BRODERICK
You’re kidding, right?
AYA BREA
Nope. And hey, looks like they
were overrun with monsters created
from freakish genetic
experimentation, too.
RUPERT BRODERICK
Wow. Was there any effort into
making this game unique or
original? This is absolutely
ridiculous!
ERIC "HAL" BALDWIN
That’s nothing. If Aya wants some
gear, she’ll have to buy it from
us. Who cares if she is our best
agent!
EXT. MOJAVE DESERT
AYA puts on her best Lara Croft attire, and arrives at the
desert.
AYA BREA
I am, like, so hot, in every sense
of the word.
EXT. DRYFIELD
AYA wanders around town and meets several PARASITE EVE 2
cartoon characters.
GARY DOUGLAS
Yee-haw! Gun-toting American
here. I am a game merchant, which
means I have no real personality.
KYLE MADIGAN
Private Investigator here. I am
the game male lead. I have no real
personality either but because I
have Asian features I am
slightly more important in the
story. Hold
on, the camera angle is focused on
the wall for some reason.
AYA BREA
Whatever. Just fulfill your
meaningless roles and either sell
me weapons and body armor to fight
these zombies... uh,
mitochondria-controlled mutants, or
help me kill them.
AYA and KYLE wander around town, firing HUNDREDS OF ROUNDS
into ZOMBIE RATS, while also solving tedious puzzles put in
for no reason other than to make a short game longer.
KYLE MADIGAN
We need the key locked inside this
cash register to help us progress
plot.
AYA BREA
Well, let’s see... in order to
open this, we need to solve a math
problem, which will require us to
retrace our steps and check every
nook and cranny for
birthdates. What fun!
KYLE MADIGAN
To open a cash register? Why don’t
I just break it instead?
DIRECTOR KENICHI IWAO
LIKE I SAID!! GAME TOO SHORT!
AYA BREA
And it’s also very rude,
Kyle! This is someone’s
property. We can’t just go around
smashing things and taking what we
want.
KYLE MADIGAN
Okay, I guess it’s your turn to
forget that in the last game you
were going around random stores
looting supplies and guns or do you
just enjoy preaching when it’s
convenient to make you look good,
bitch?
AYA and KYLE retrace their steps, searching CABINETS and
DRAWERS by pushing X-Button A HUNDRED TIMES until RABID
SQUARE FANATICS develop CARPAL TUNNEL SYNDROME.
AYA BREA
Uh, oh. Looks like even the most
rabid of Square fans are getting
antsy. I think I’ll slip into
something gratuitous, or better
yet, go take a shower. That will
distract them.
Aya shows a whole lot of NECK, SHOULDER, SOME LEG, and
nothing else. This gives RABID SQUARE FANATICS enough
excitement to endure the last half of this monstrosity.
EXT. RANDOM LOCATIONS IN DRYFIELD
AYA and KYLE move around the town, gathering more clues,
consuming more time, and shooting
ZOMBIE... uh-MITOCHONDRIA- CONTROLLED MUTANTS.
AYA BREA
After hours of puzzles with no
relevance to the story I have
carefully calculated the point of
origin of this mess.
KYLE MADIGAN
Yeah, who would have thought there
was an underground installation
here that caused this unfortunate
accident?
(pause)
Oh wait.
Aya and Kyle head out to the desert and walk onto the set of
JURASSIC PARK.
KYLE MADIGAN (cont’d)
I can tell from the camera angle we
have pointed at the floor this is
the place.
AYA BREA
Hmm... look at all of these
experiments and their
mutations. They seem familiar.
NO. 9 reappears to explain plot.
NO. 9
Indeed they are! Human evolution
has reached its limits and so we
decided to take your DNA when you
were a little girl because you were
special and made clones of perfect
super-zombie-humans!
AYA BREA
That’s the dumbest thing I’ve ever
heard.
NO. 9
You obviously have never seen the
rest of our games.
AYA BREA
True. Oh well, guess we should go
shooting everything again, unless
something distracts us.
MARINES arrive, distracting plot.
INT. WHITE HOUSE
AMERICAN PRESIDENT
I am a President, and I live in
America, therefore, I must be an
American President.
DIRECTOR KENICHI IWAO
Ha ha! Take that Capcom! We’re
using an actual American President
we have concocted mindlessly. I
will now draw attention to American
stupidity.
OFFICIAL LOOKING MAN
Mr. President, our men have
secured the area but our Graphic
Artists Division firmly believes
its necessary that our predicament
can only be resolved by one massive
CGI explosion.
AMERICAN PRESIDENT
Very well. Use the Super Secret
Happy Yamato Death Ray Thingamajig.
EXT. MOJAVE DESERT
THE TOWN, assorted COCA-COLA DISPENSERS, and ALL RATIONALITY
blow up in a FIERY CGI EXPLOSION.
AYA BREA
I love you, Kyle!
KYLE MADIGAN
Huh? Uh, sure.
AYA and KYLE jump on board a COCA-COLA BLIMP and fly away
into the sunset. EVE is later added into the game after
SQUARE was reminded this was a PARASITE EVE GAME.
GAME OVER.